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曾铮文集
·第二章 《转法轮》悟天机
第二部 镇压
·第一章 嫉妒之火
·第二章 大规模逮捕
·第三章 小我到大法
第三部 三进拘留所
·第一章 我不入地狱谁入
·第二章 让生命在正法中辉煌
·第三章 众生皆有佛性
·第四章 箭射出再画靶心
第四部 劳教血泪
·第一章 人间地狱
·第二章 移监天堂河
·第三章 危险时刻
·第四章 转化
·第五章 惊涛骇浪
·第六章 强制改变不了人心
第五部 流亡
·第一章 揭发真相
·第二章 神圣使命
·后记 ——我还想说什么
·跋-至誠大勇 證道真善忍──《靜水流深》出版的意義與期望
·附 法轮功大事记
曾铮文集(二)
·桉树果的歌(澳大利亚 Philippa Rayment著,曾铮翻译)
·救我北大!(2002年9月25日以笔名心痛发表)
·拎不清的总领事与“三个代表”的最新进展
·如果我能够
·苏震西的三大错误
·李祥春,我向你脱帽致敬
·关于SARS病的最新研究成果
·海外北大学子告同胞书
·今夜我不能安睡
·谁是当今最大的强奸犯与毒贩子?
·师尊的慈泪——为2003全澳法轮大法心得交流会在墨尔本召开而作
·华人世界的悲哀 华人世界的幸运
·论镇压法轮功的完全彻底非法性
·“天安门自焚”大惨案
·【红朝谎言征文】非凡的女儿
·北京人有什么话不敢说?──向勇敢的杜导斌致敬
·童话:美梦成真
·一封家书——致女儿
·致MOON——贺女儿十一岁生日
·李登輝顛覆印象記
·在天地动容的那天,我为你深深祝福----答杨银波公开信
·我的经历及思考
·神童女兒 平常心(之一)
·神童女兒 平常心(二)
·神童女兒 平常心(之三)
·我们能为这些非法轮功做点甚么?
·声明退党 做个明明白白的中国人
·《九评》与道解共产党-在墨尔本《九评共产党》研讨会上的发言
·致张林之妻方草
·再致张林之妻方草-兼论免于恐惧的生活
·方劲武麻烦大了
·與黃若先生商榷—兼談法輪功為何「動不動就報怨被『歧視』」
·中共灭亡是天意
·我为什么以“静水流深”为书名
·关注郭国汀 支持大纪元
·唾棄中共 迎接新紀元
·在悉尼紀念「六四」及中國未來研討會發言稿
·澳洲,请远离今日之“泰坦尼克”
·澳大利亚,请睁开你的双眼!
·勿為私下的行為而公開地哀痛
·為陳用林歡呼
·读张林“判决书”三致方草
·对胡锦涛的又一“棒喝”--在悉尼国际法庭逮捕江泽民令发布会上的发言
·李敖可别“一语成谶”
·The Law and Me: Chinese ‘Law’ v Jennifer Zeng
·论言论自由、新闻管制及中国人民的对策——在亚太地区作家网成立大会上的发言
·亚太作家会决议 控告雅虎
·亚太地区作家网成立大会决议案
·中共发布《重大动物疫情应急条例》意味着什么?
·Speech on the Chinese Democratic Movement Conference in Canberra
·New Era approaches amidst the echo of History
·Raising a “Child Prodigy” with an Ordinary Mindset
·在堪培拉中國民主運動新聞發佈會上的發言
·《南華早報》評論:流亡中國作家曾錚
·诉江泽民、罗干、周永康、刘京及610办公室迫害法轮功控诉辞(一)
·诉江泽民、罗干、周永康、刘京及610办公室迫害法轮功控诉辞(二)(慎入)
·诉江泽民、罗干、周永康、刘京及610办公室迫害法轮功控诉辞(三)
·《同一首歌》將與納粹標誌一樣永釘歷史恥辱柱
·我们做的事情即将载入史册
·认清中共,就是拯救人类
·胜诉控江泽民案最后陈述辞
·又见红卫兵
·近看郝凤军
·Observing a Hero Up Close
·【人物特写】“这听起来有点像传奇”
·维权绝食与六四学生绝食有何不同?
·我的絕食聲明
·致北京司法局-为什么迫害高智晟?
·我们确有“安全的”维权途径!
·绝食那天,精彩叠起!
·中共為甚麼怕我們餓肚子?
·看中共如何有氣無力抵賴蘇家屯
·China, my dear China
·Analyzing the CCP's Feeble Response to Reports About the Sujiatun Concentration Camp
·中國黑暗面的最新「發現」——答美國讀者Valerie來信
·“New Discovery" of China’s Darker Sides
·Spirit Under Siege-A Review in Utne magazine
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Yang Jun


    Yang Jun–the Man in the Middle of the 'Metal Storm'
   
   The first time I saw Yang Jun was at a forum on the Nine Commentaries on the Communist Party in 2005. When he stood up to speak, I could hear whispers in the audience, as though many people there knew him and were talking about him. I didn't know what was special about him, and why he could generate such attention. I asked the people around me and was told, "He was a student leader during the Tiananmen Square Massacre in China. Almost every Chinese person in Sydney knows who he is. He hasn't appeared in public for many years!"
   I didn't realize he was a celebrity. Since then, I often saw him at public gatherings or forums, dressed quite formally. Whenever he spoke, he almost always became excited or came to tears. He also called himself an artist.
   I had a hard time putting together his two identities of "student movement leader" and "artist." I began to pay more attention to him. Eventually I had a chance to have a long talk with him. His colorful life gave me the inspiration to write about him.
   A few months later, I finished interviewing him. Before I began writing, Yang Yun made an announcement on Australian national TV during the 57th anniversary of the establishment of the People's Republic of China. He revealed that the Chinese Communist Party wanted to purchase the Australian weapon technology "Metal Storm" for US$100 million. Again, Yang became the center of attention. He not only refused the US$2 million offer by the CCP to broker the deal, but also disclosed the details to mainstream media. The next day, reports about him appeared on the front page of the newspapers.
   Knowing him, I was not surprised by this turn of events. His passion determined that his life would be like a flame, burning fully and brightly.
   'Jun, Remember, You Will Always Help Those Who Need Your Help'
   Yang Jun was born prematurely in 1956, after only 7 months of pregnancy. His parents were both in the army. Eight months after he was born, he was sent to live with his grandmother in Anguo County, Hebei Province.
   Yang Jun's childhood memories revolved around poverty. He grew up during the so-called "Three-Year Natural Disaster" period, which was actually a catastrophe caused by the Great Leap forward movement [1] . On most days his family ate elm leaves mixed with ground corn. This left their stomachs feeling very bloated and uncomfortable. Although there were a few buns hanging from a beam of the house, they were for emergency use only.
   Yang Jun remembered that there were often beggars who came by. When he was four or five, an elderly beggar came to the village carrying a worn sac. He had a young child with him. Yang's grandmother didn't say anything and took down the buns they stored for emergency use. She gave away almost all of them to the elderly man. The man and the child knelt down on the ground and said to Yang's grandmother, "You are a living Bodhisattva!"
   However, Yang's aunt was annoyed that Yang's grandmother had given away their emergency food supply. His Grandmother didn't argue. Instead, she held Yang in her arms and said, "Jun, remember, you will always help those who need your help."
   Although he was only a young child, Yang Jun remembered those words as though they were etched in his heart. It changed his character forever.
   A Beginning in Music
   When Yang was eight years old, his parents retired from the military and became civilians. They took Yang to Beijing to attend school. A year later, his grandmother passed away. Yang really wanted to go to her funeral in Hebei Province, since of all his relatives, he was closest to her. But his parents feared the visit would interrupt his studies, and thus did not let him go. He missed his grandmother and cried towards the north in her direction everyday.
   At that time, when he was suffering excruciating emotional pains, he heard someone playing the clarinet upstairs. Much later, he learned that it was Dvorak's New World Symphony. This was composed when Dvorak was living in America and reflected nostalgia for his home country (today's Czech Republic). Although he was only nine years old and had never studied music, Yang felt that the music had touched his soul deeply. Perhaps because the feelings of nostalgia coincided with the longing for his grandmother.
   He felt a wild urge to study and play the clarinet. He thought only by playing the clarinet and joining the New World Symphony would he be able to express his feelings for his grandmother and where he grew up.
   His parents were soldiers. Although they lived in an area assigned to the Ministry of Culture, nobody in his family knew music. A famous actor who lived nearby said, "Yang Shuxun's son wants to be a musician? It's like a toad wanting to take a bite off of the swan."
   Yang Jun had the same determination for studying the clarinet. When other kids played, he rode his bike to a small patch of trees near Qianmen. The area had a strong stench due to the garbage and sewage piled up from the construction of the subway. He practiced there no matter how hot or cold the weather, often until his lips broke. Because he didn't have a teacher, he often rode his bicycle for more than an hour in the winter, from Taoranting to Hepingli, just so he could hear others play from outside the window. Once he stood there for so long that people thought he was a thief, and almost arrested him.
   His efforts were not in vain. In 1977, when the universities were restored for the first time since the beginning of the Cultural Revolution [2] , the then "Central May 7 Arts University" [3] was looking for two clarinet students. Yang was one of the two out of several hundred applicants accepted, thus earning the privilege to study under the famous clarinet professor Tao Chunxiao.
   After graduation, Yang Jun became the first clarinet player and the leader of the woodwind section of the Ballet Troupe at China's Dance Academy. He was later promoted to the deputy leader of the orchestra. In 1983, he began working for the Chinese Light Music Troupe as a soloist. He was honorably put in the second highest category of national actors.
   A Life-Changing Moment
   The hall of music was not as pure and sacred as Yang had imagined. It was, unfortunately, also full of conflicts and power games. Having always resented sycophancy, Yang began to contemplate leaving. Coincidentally, the deputy director from a music university in Canberra visited China and agreed to sponsor Yang to study for a Master's degree in music in Australia.
   Yang Jun arrived in Australia in March 1989. In April, the Tiananmen Square student movement began in Beijing. Yang organized performances with Li Xiangqin from Hong Kong and some actors from Taiwan to raise funds for the students in Tiananmen Square.
   June 4, 1989 was a Sunday. It was pouring rain in Sydney. Yang Jun carried his clarinet and wore a tuxedo. He was ready to perform for another fund raiser. As soon as he walked into Chinatown, he heard the news: The Beijing government had begun a massacre. Tanks rolled into Tiananmen Square and killed civilians and students.
   Yang felt blood gushing to his head—his life's journey came to a turning point. He handed his clarinet to the person walking next to him, who he didn't know at all, and picked up a wooden stick. Someone tied a piece of red cloth to the stick. Yang raised the stick, crying, and shouting, "Follow me, all the Chinese with conscience!"
   Yang marched towards the Chinese consulate, leading several thousand Chinese people. The angry mass crushed a column outside of the Chinese consulate. A student who's leg had been broken in the middle of the riot was airlifted. Some people threw eggs and inkbottles at the consulate.
   At the gathering of a few thousand people, Yang said, "Before, music was my life and my everything. But the gunshots and tanks crushed my dream of music. The innocent students gave up their lives for China's democracy. From today on, music no longer belongs to me. The movement for China's democratic future is now my life!"

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